New Workshop/Seminar – “Camera to Output”

Camera to Output – “Begin With the End In Mind”
October 19, 2013 Denver, Colorado

Join us for this comprehensive seminar, and sharpen your skills in image capture, color managed workflow, studio photography, and post-production techniques.

Getting it right in the camera

Begin with the end in mind

Color managed workflow

Introduction: Live Studio Setups and Lighting

Live Image Capture

Macro, Product & Live Model shooting workstations

Effective and efficient post production techniques

Creating Portfolio-Worthy Prints

Attendees receive special discount coupon packs and free sample materials.
Hosted by Digital2You. Sponsors include Datacolor, Epson, Pentax, Eizo, and Photo Imaging Consultants. Fee for attendance. Lunch provided.

Register:  http://www.digital2you.cc/cameratooutput.html

New Published Article, Managing Dynamic Range in Post-Production

Latest in a four part series: Managing Dynamic Range in Post-Production, published on the Datacolor blog:

Here’s the link: http://blog.datacolor.com/david-saffir-managing-dynamic-range-in-post-production/

© David Saffir 2013

© David Saffir 2013

Free Webinar: Architectural Photography and Editing With David Saffir and C. David Tobie

Free Webinar: Architectural Photography and Editing With David Saffir and C. David Tobie

Join us, Thursday, April 4th from 3PM-4PM EDT, 12 Noon – 1 pm PDT as Datacolor Experts David Saffir and C. David Tobie walk you through the issues they have encountered through their years of architectural rendering and photography and offer helpful techniques to be utilized.

Architectural photography offers accurate representation of a building or structure. Achieving this is often complex. Even though photographing interiors and exteriors can be similar, they do have some differences and may require different equipment.

Corner of the Main Plaza at the Louvre, Paris

Corner of the Main Plaza at the Louvre, Paris © D. Saffir

Perspective and context issues may arise when photographing exteriors, while distortion issues may arise with interiors. Other issues may include scale, vignette, chromatic aberration and color accuracy. Technique is key. Helpful tips focusing on low light images, various HDR options, one-point and multi-point perspective versus elevation and isometric will be shared.

An interactive Q&A will take place throughout the webinar to answer any questions you may have.

One lucky webinar guest will win a free Spyder4PRO!

REGISTRATION REQUIRED: https://www2.gotomeeting.com/register/268882242

Photo Plus Expo, New York City, October 2012 – David Saffir and David Tobie

Will you be attending PhotoPlus Expo in New York City, October 25-27? If so, David Saffir (me!) and David Tobie will be speaking at the Midwest Photo Exchange Stage, booth # 1027 at the show. We are currently scheduled:

Thursday 10/25
11:30: David Saffir- Screen to Print Match for Photographers
1:30: David Tobie- Moving into Motion: Video and Video Color for Photographers

Friday 10/26:
11:30: David Tobie- Moving into Motion: Video and Video Color for Photographers
1:30: David Saffir- Screen to Print Match for Photographers

Saturday 10/27:
11:30: David Saffir- Screen to Print Match for Photographers
1:30: David Tobie- Moving into Motion: Video and Video Color for Photographers

AND…….

Be sure to visit Datacolor, nearby at booth #1239. See some of the latest technology in color calibration, the Spyder4, and
lots of other cool stuff!

© David Saffir

Soft Proofing in Lightroom 4 and Photoshop

Many photographers understand the need for color management, but don’t implement it into their daily workflow. Calibration and the use of soft-proofing (color preview on screen) practices can greatly improve the output quality of images, while reducing trial and error costs. Learning how to effectively integrate calibration and soft-proofing into your digital workflow can save time and money, as well as enhance image quality.

Soft-proofing, formerly found only in the full version of Photoshop, is now available much more affordably in Lightroom 4, expanding the market for soft-proof use. An accurate color preview provides multiple benefits, ranging from a corrected review of output color before printing, to a method to correct images for a specific output device from within your normal workflow, helping you judge the impact of image editing on the fly – saving time and helping ensure desired results.

Follow this link to the recorded webinar session, sponsored by Datacolor….

Using Datacolor’s SpyderCube with Lightroom 4’s Process 2012

by David Tobie: Datacolor’s SpyderCube can be used to set white balance and exposure settings by shooting it in an initial image under a given lighting condition, correcting basic settings in RAW converters such as Adobe Lightroom, and then applying those corrections to all other images shot under the same conditions. Adobe’s new Lightroom 4 defaults to a new set of RAW import controls called Process 2012, which function differently than previous Lightroom controls. This article outlines the differences between the previous Process 2010 and the new Process 2012, and how to achieve similar results from the two different processes when adjusting images using the SpyderCube. Read more:  Using Datacolor’s SpyderCube with Lightroom 4’s Process 2012.

Photoshop CS6 Beta test started today…

I just downloaded the CS6 Beta version. Going to be working with it this week and next. Stay tuned as I report my ups and downs, likes and not-so-likes (?!?) in the next week or so. My goal is to post something interesting at least every other day.

PS – one observation: sure looks like Adobe continues to move toward harmonizing the editing controls and tools in Photoshop and Lightroom….