Tips for Painless Digital Printing

A few tips and reminders to help you create the inkjet prints you want:

1. Use manufacturer’s inks in your printer. Third party inks are ok for general home use. but not for quality photo printing. Besides, using third party inks will usually void the printer’s warranty.

2. If you’ve just gotten a new printer, try the manufacturer’s papers first – and for photos, use the higher-quality media. This will help you get off to a good start – you can always try other papers later. When you do try other papers, try to match quality level, feel, and appearance to the original manufacturer’s.

4. If you are using glossy, lustre, or satin finish papers, make sure your printer is using “photo black” ink. If you are using so-called “watercolor” or “fine art” papers that have a matte finish, be sure your printer is using matte black ink. In each case, you’ll get better blacks and contrast in your prints.

5. Keep unused paper in the original package, and if possible, in the plastic bag liner. This will keep air and moisture from degrading paper quality.

6. If you use your printer infrequently, make a small print occasionally to keep the print heads clean and functioning properly. Pigment inks tend to dry out over extended periods, and the print heads may require extensive cleaning cycles if left to themselves.

7. Ensure that the printer drivers and firmware are up to date, and that the driver is matched to the current version of your Windows or Mac operating system. The download page on the printer manufacturer’s site will provide this information.

8. Calibrate your display. This means you’ll need a calibration device like the Huey Pro, the X-Rite iOne display, or the like. Generally, you’ll want your screen to set to 6500k, and 2.2. gamma.

9. Most displays, when new, are set up by the manufacturer to be very bright. When you calibrate, make sure your display brightness is set to a level suitable for photographic printing – usually 90-100 cd/sqm. Your calibration software should provide a software adjustment – sometimes iit is located under the “advanced” settings.

10. When printing, you can use “Printer Manages Colors” or “Application Managed Color” (in the case of Photoshop, it may say “Photoshop Manages Colors”. Printer managed color works OK, but application managed color generally gives better results. If you are using application managed color, be sure to specify the ICC/Printer profile for the printer/paper combination you are using. On some Epson printers, you will also have to check  the “no color management” box in the printer driver.

11. When printing, you’ll notice that the printing dialogue box includes an adjustment for “rendering intent”. Generally, when printing photographs, try perceptual rendering intent first. However, in some cases, you may get better results if you try “relative colorimetric” rendering intent. It is generally better to ignore the “saturation” and “absolute colorimetric” settings.

12. When you are printing, evaluate your prints in controlled lighting. Some people prefer to use daylight corrected lighting, such as the lights offered by Solux. Some photographers prefer to use “gallery lighting” which is warmer in tone, and is frequently set to 3800k. If your prints look significantly darker than your screen, see Tip number 9, above.

See the Workshops tab at the top of the page for upcoming events!

Mastering Black and White Printing Workshop April 10

Reminder! Mastering Black and White Printing Workshop
David Saffir instructor

Take your fine art printing skills to a new level! Join us for a workshop focused  on creating and printing Black & White images. You’ll learn how to manage your color,
and really dig into your Black and White techniques so your  images sparkle!

Topics include:

Manage digital capture (in color) with black and white printing in mind

The process used in Photoshop to convert digitally captured color images to black & white, and custom edit as needed.

Learn in detail the use of Photoshop filters, presets, and adjustment layers. Customize tonal values, image density, highlight and shadow details, etc. Demonstrate using three examples: still life, landscape, and portrait images.

Understand using color management system to ensure color control, neutrality in black & white printing, and consistent print quality.

Evaluate edited images on screen (soft proofing using custom ICC profiles) for final output. Use custom adjustments and print variations facilitated by accurate soft proofing.

Understand the complete process needed to make fine art prints from a correctly prepared image file. This includes methods for creating proof prints that facilitate successful final prints, the use of paper/printer profiles, and using the Photoshop printer dialog and the printer driver.

Create prints and evaluate. Learn troubleshooting and problem solving techniques.

Learn methods of print finishing and coatings for photographic style, fine art, and canvas media.

Bring a file or two – we’ll be making sample prints from selected student’s images on our wide-format printer.

black and white image of antique railroad hand truck © d saffir

Hand Truck, Old Saugus Railroad Station

Cost is $109 for students who pre-register.

Call (661)904-2092 to register (preferred) or:
Click here to register online for a workshop.

Demo Equipment – One Time Only

All – Just finished the Tour 09 events in Arizona, Colorado, and New Mexico. The sponsors are offering lightly used demo equipment at very good prices. If interested, please contact me via email, and I will put you in touch w/ the distributor.

 Please excuse the “commercial” message; I have had a number of inquiries already, and thought I’d share the info. This is a once or twice a year thing, at most. :)

 Best regards,

 

David Saffir

 

______________________________

  

Mamiya Dl28 kits (AFD III camera body, 80 mm lens, 28 MP Leaf Back) normal pricing $ 14,999 special pricing $ 10,999

Special closeout bonus $ 500-$1,000 in related “free goods” (please inquire)

 Tour Demo Eizo Color Edge monitor sales;

 CG241 w-bk normally $ 2,450 (price drop) special $ 1,799

Two units available for $ 1,299 that are factory refurbs from trade shows, with warranty

 CG243 w-bk normally $ 2,450 special $ 1,999

 CG301 W-BK normally $ 5,299 special $ 4,500

 Epson Expression 10000 XL-Photo Scanner with Transparency option

Normally priced at $ 2,999 special pricing at $ 2, 795

Epson Perfection V700 Photo Scanner

Normally priced at $ 599 special pricing at $ 479.99

Printer Demo Unit Specials from the Fall Tour;

One only; Epson 7900 – 24” normally $ 3,995 special demo unit with full warranty $ 3,495

Qualifies for $ 700 Epson end user rebate thru Oct 31st, act now!

One only; HP Z-3200-24” normally $ 3,895 special demo unit with full warranty $ 3,295

Qualifies for $500 show coupon, also Cash In and Trade Up of $500 Value $ 1,000 rebate!

One only; Canon ipf 6100-24” normally $ 2,895 special demo unit with full warranty $ 2,495

Qualifies for $ 400 end user rebate, and 1 set of 12 x 99ml extra inks! Total Value $ 1,300!

We still can write Premier Media Bonus of Buy 3 , get 1 FREE on any of these deals!

Misc. odds –n- endz deals;

X-Rite Eye One Display 2 show specials normally $249 special $ 199 while they last!

X-Rite Color Munki Photo normally $ 499, special $ 449 and qualifies for $50 coupon thru Dec. 31st

X-Rite Color Checker Passports, only $99, normally $ 129

Sekonic L358 light meters normally $299 special $ 259

Westcott Spyderlite TD-5 Window light kits ( stands, lights, softboxes and carry cases ) normally $ 1,650 special $ 1,495

Used demo X-Rite Eye One XT spectro kit special $ 999 (one only)

Used demo X-Rite Eye One IO spectro table $ 1,299 (one only)

Used table top GTI small light viewing booth $ $399 (one only)

NOTE: No refunds or exchanges, all sales final

 

 

New Fine Art Printmaking and Art Reproduction Tour

FINE ART PRINTMAKING & ART REPRODUCTION SEMINARS, DAVID SAFFIR, OTHER INSTRUCTORS

7 CITY TOUR IN OCTOBER 2009, APPROX DATES OCT 1-15

This will include:

  • studio setup
  • lighting
  • digital capture
  • capture and digital asset management
  • image editing
  • color management
  • printing
  • print finishing

…..and more!

 Call for details and registration,  303-934-2777 or go http://tinyurl.com/nbupma

ALBUQUERQUE, SANTA FE, PHOENIX,  TUCSON, 
SEDONA, DENVER, GLENWOOD SPRINGS

New Media Tests Published by Wilhelm Research (Great Output Blog)

New info on print permanence using Canson inkjet media is posted on the Great Output Blog, written by Eileen Fritsch. It includes detailed info regarding print life using Canon, Epson, and HP ink sets with Canson media. You might also want to check out Eileen’s library of printing related articles – always interesting and relevant.

 The article can be found here: Great Output.


Great Output

Quick Selective Sharpening Technique In Photoshop

Sharpening images can be a challenging task. One of the issues involved is the choice between sharpening the entire image, or sharpening only the areas that will really add to image quality.

This is a cropped portion of a portrait taken a few weeks ago. It is shown at roughly 100%, or actual pixels. Some very basic adjustments have been made, such as color and contrast. These layers were consolidated into Group 1.
Step01

In the next step, I duplicated Group 1. This command is found under Layer > Group Layers. Next, we will duplicate the Group, by selecting the duplicate Group (blue highlight) and
using the command Layer > Merge Group. This merges the underlying layers in the group into one new layer. See the illustration below this one, and note that the group has changed to a normal layer.

Step03
Step04

 

I’ll sharpen the layer using a technique which may be new to some. Go Filter>Other>High Pass. Set the intensity to 2.o, and click OK.

 

Step05

Change the blending mode of this layer to Hard Light (see Layer panel).

 

Step07

 

Now for the best part: First, we are going to create a layer mask which hides this sharpening effect. Select the Layer (blue highlight) and Go Layer>Layer Mask>Hide All.
Step10

 

Next, left click on the layer mask (black box next to the layer thumbnail. You’ll see a highlight, or “picture frame” appear around the layer mask. Select the Brush tool, and set opacity to 100%.

Now, set the brush color to white. The easiest way to do this is to press the “d” key, which will select the default brush colors. You’ll see a black and a white square appear at the bottom of the tool bar. Left click once on the white square to select that color.
Step11

 

Use this brush, set to soft edges and sized appropriately, to paint on the black layer, using the white colored brush. (I have used a red circle to show this brush clearly). This will “reveal” the sharpening you have created on the layer. You should brush over the eyes, eyebrows, mouth, edges of the nose, ears, and if desired, the hair/hairline. Do not brush over the wider skin areas, as these will usually appear to be too sharp, making the portrait unattractive.

You can set the brush opacity to 100% for full effect, or a lesser intensity for less sharpening. You can also change the sharpening layer opacity to a lower amount if you find the sharpening effect is too aggressive. Make a test print, and enjoy! (btw, with a bit of practice this takes < 1 minute).


Step12

 

 

New Workshops here