Free Webinar: Architectural Photography and Editing With David Saffir and C. David Tobie

Free Webinar: Architectural Photography and Editing With David Saffir and C. David Tobie

Join us, Thursday, April 4th from 3PM-4PM EDT, 12 Noon – 1 pm PDT as Datacolor Experts David Saffir and C. David Tobie walk you through the issues they have encountered through their years of architectural rendering and photography and offer helpful techniques to be utilized.

Architectural photography offers accurate representation of a building or structure. Achieving this is often complex. Even though photographing interiors and exteriors can be similar, they do have some differences and may require different equipment.

Corner of the Main Plaza at the Louvre, Paris

Corner of the Main Plaza at the Louvre, Paris © D. Saffir

Perspective and context issues may arise when photographing exteriors, while distortion issues may arise with interiors. Other issues may include scale, vignette, chromatic aberration and color accuracy. Technique is key. Helpful tips focusing on low light images, various HDR options, one-point and multi-point perspective versus elevation and isometric will be shared.

An interactive Q&A will take place throughout the webinar to answer any questions you may have.

One lucky webinar guest will win a free Spyder4PRO!

REGISTRATION REQUIRED: https://www2.gotomeeting.com/register/268882242

Photo Plus Expo, New York City, October 2012 – David Saffir and David Tobie

Will you be attending PhotoPlus Expo in New York City, October 25-27? If so, David Saffir (me!) and David Tobie will be speaking at the Midwest Photo Exchange Stage, booth # 1027 at the show. We are currently scheduled:

Thursday 10/25
11:30: David Saffir- Screen to Print Match for Photographers
1:30: David Tobie- Moving into Motion: Video and Video Color for Photographers

Friday 10/26:
11:30: David Tobie- Moving into Motion: Video and Video Color for Photographers
1:30: David Saffir- Screen to Print Match for Photographers

Saturday 10/27:
11:30: David Saffir- Screen to Print Match for Photographers
1:30: David Tobie- Moving into Motion: Video and Video Color for Photographers

AND…….

Be sure to visit Datacolor, nearby at booth #1239. See some of the latest technology in color calibration, the Spyder4, and
lots of other cool stuff!

© David Saffir

Soft Proofing in Lightroom 4 and Photoshop

Many photographers understand the need for color management, but don’t implement it into their daily workflow. Calibration and the use of soft-proofing (color preview on screen) practices can greatly improve the output quality of images, while reducing trial and error costs. Learning how to effectively integrate calibration and soft-proofing into your digital workflow can save time and money, as well as enhance image quality.

Soft-proofing, formerly found only in the full version of Photoshop, is now available much more affordably in Lightroom 4, expanding the market for soft-proof use. An accurate color preview provides multiple benefits, ranging from a corrected review of output color before printing, to a method to correct images for a specific output device from within your normal workflow, helping you judge the impact of image editing on the fly – saving time and helping ensure desired results.

Follow this link to the recorded webinar session, sponsored by Datacolor….

Using Datacolor’s SpyderCube with Lightroom 4′s Process 2012

by David Tobie: Datacolor’s SpyderCube can be used to set white balance and exposure settings by shooting it in an initial image under a given lighting condition, correcting basic settings in RAW converters such as Adobe Lightroom, and then applying those corrections to all other images shot under the same conditions. Adobe’s new Lightroom 4 defaults to a new set of RAW import controls called Process 2012, which function differently than previous Lightroom controls. This article outlines the differences between the previous Process 2010 and the new Process 2012, and how to achieve similar results from the two different processes when adjusting images using the SpyderCube. Read more:  Using Datacolor’s SpyderCube with Lightroom 4′s Process 2012.

Photoshop CS6 Beta test started today…

I just downloaded the CS6 Beta version. Going to be working with it this week and next. Stay tuned as I report my ups and downs, likes and not-so-likes (?!?) in the next week or so. My goal is to post something interesting at least every other day.

PS – one observation: sure looks like Adobe continues to move toward harmonizing the editing controls and tools in Photoshop and Lightroom….

Nik Silver Efex Pro 2 Released by Nik Software

Nik Software has just released Silver Efex Pro 2. I’ve long felt that Silver Efex is the best available software for transforming color images to black and white. It’s available for Photoshop, Lightroom, and Aperture.

The flexibility and power of the new application is very impressive. Here’s some interesting features:

Control Points – selective image edits and adjustments

History Browser - like Photoshop, you can move back and forth at will in your editing history

Structure and Fine Structure expanded/upgraded – fine structure brings out more visible detail in details and textures

GPU Processing – true 64-bit processing

Image Borders – Natural and Customizable

Selective Color – easily mix black and white and color elements in your image

Dynamic Brightness – differential brightness adjustment based on tonal values

One-Click Toning and Split Toning

At the end of the day, though, it’s the image quality that’s got me hooked. It’s not just faster, it’s better.

I’ve found that images I’ve edited using Silver Efex Pro and Silver Efex Pro 2 look very good on paper, whether I’m using lustre, glossy, fine art, or canvas materials.

I’ll have a complete review by the end of next week.

For more information, go to Nik Software. You can download a 15 day free trial if you wish. You can also receive a 15% discount upon purchase,  using the code DSAFFIR in your shopping cart.

Here’s a link to my earlier review of Silver Efex Pro.

I have a workshop coming up this Saturday, Feb 26. Here’s a link to the course description:

Creating Gallery-Quality Black & White Images Using Nik Viveza 2, Color Efex Pro and Silver Efex Pro 2 for Photoshop

Great Class Last Night – Nik Viveza 2 and Color Efex Pro

Had a very cool class on Viveza 2 and Color Efex Pro last night at SCV Center for Photography. As always, Mel Carll, the owner of the studio, was a great host!

We explored these applications along with some advanced layer techniques in Photoshop – the possibilities/flexibility are really impressive – so is the improvement in productivity and editing speed! (both applications work with Photoshop, Lightroom, and Aperture).

I’ve written reviews of both applications, plus Nik Silver Efex Pro (for Black and White). Here’s the link for the Viveza/Color Efex article, and the link for the Silver Efex Pro article.

You can download free trial at Nik Software.

LAX at Night, © David Saffir

Review, Nik Viveza 2 and Color Efex Pro 3.0

Since my review of Silver Efex Pro by Nik Software, I’ve been working with some of the other software packages offered by Nik, specifically Viveza 2 and Color Efex Pro 3.0. Like Silver Efex Pro, these applications offer great flexibility and control during image editing. They are compatible with Photoshop, Lightroom, and Aperture. In this article, I’ll provide an overview of the features and benefits of both.

Viveza 2 offers sophisticated both  global and highly selective editing of image characteristics, including but not limited to color, saturation, contrast,  brightness, structure, saturation (RGB or by channel), etc. And as I’ll explain further on, the edits you perform can not only be placed on a Photoshop layer, but individual edits in the application itself are non-destructive, and can be changed at will.

Color Efex Pro offers over 50 pre-designed filters, with an incredible range of image enhancements, conversions, and special effects.

I’ll cover some of the fundamentals in Viveza 2, using Photoshop. Clearly it’s not possible to explain all the combinations and nuances in this space. If you really want to get a grip on what’s possible with the software, it’s advisable to take a live workshop, like the one I have coming up on Wednesday, June 9, 6:30-9:30PM at the SCV Center for Photography. Click on the link, and scroll down a bit – the listing is in the left hand column. You can also call 661-904-2092 for reservations. (Credit cards cheerfully accepted.) Fee is $69.

(FYI, the software works in CS5 in 32-bit mode, except for Viveza 2 for Windows, which can be used in 64-bit mode. Upgrades are planned some time around mid-year.)

I’ll be using one of my recent images, taken a month or two ago during the explosion of Spring wildflowers in California.

Before Launching Viveza 2

Now I’ll go to Filters, and launch the application. The first screen looks like this:

Opening Panel

The original image is shown in the center. One can change this view to twin before/after images, or to a single image split to show the same. Here’s a closeup of the control panel on the right:

Control Panel

Note the button for “Add Control Point” (more on this later), the global controls for brightness, contrast, saturation, and structure, and at the bottom, a drop-down for levels and curves (new in Viveza 2)

Levels and Curves drop-down

I’m accustomed to making these adjustments on individual adjustment layers in Photoshop; now you have that option here. These controls operate globally as one would expect.

Now I’ve made a levels and curves adjustment, and set the screen for a side by side comparison:

Levels/Curves

I’m conservative in these adjustments, but you can see the difference in overall contrast, and in some degree, a bit of increased saturation.

You can also add what Nik calls “Control Points”, which are highly versatile tools – a Control Point (CP) can be placed anywhere in the image. Click on the CP button in the Control Panel, mouse over and left click to place the CP.

A basic CP looks like this:

Note the yellow button at the top – that slider controls the size of the CP, and how much impact it has on the image. Underneath it are control sliders for Brightness, Contrast, Saturation, and Structure.

Control Point Size

You can click on the small triangle at the bottom of the Control Point to reveal more options:

Now we can see controls for shadow adjustment, warmth, R-G-B, and hue. These adjustments are also available in the Control Panel.

This is one of the core concepts to this software. You can apply CPs singly, or in groups. A CP can be duplicated through the command <alt> – left click.

Once you’ve made your adjustments, you have the option of clicking OK, which will apply your changes on a new layer, or Brush, which will create a new layer with a black layer mask. You can then paint on the mask with a white brush to reveal your edits.A small Viveza panel will be present in your Photoshop screen – when finished editing the layer, click “apply”, and voila!

Later on if you want to make changes in your edits, re-open Viveza and work away. When you click “Apply” the changes will take effect.

This review just scratches the surface. I could write a book, but not today. :)

Viveza provides impressively easy-to-use, highly flexible tools for editing images in Photoshop, Lightroom, or Aperture. Used appropriately, it can really improve and speed up your image editing.

I’ll be brief in my remarks about Color Efex Pro 3.0. Can you say, “indispensable”? It is one of my all-time favorites.

The application offers over 50 filters, presets, and such. One of my favorites is “Brilliance/Warmth” which can do wonders for landscape images. Here’s the menu in the opening panel (looks much the same as Viveza, but this menu appears on the left):

Filter and Pre-set Menu for Color Efex Pro

Also note the tabs, which organize the menu choices by task or image type: Portrait, Landscape, Stylizing, and Traditional. You can also organize your favorites under a separate tab.

One could develop many of these “looks” in Photoshop, but in the majority of cases this application makes things easier and faster – and frequently better. Here’s a side by side of Brilliance/Warmth:

Before and After - Brilliance/Warmth

I think that’s pretty cool!

NOVEMBER 16: THERE IS NOW A SPECIAL NIK SOFTWARE PURCHASE DISCOUNT CODE FOR READERS OF MY BLOG. TYPE “D S A F F I R” IN YOUR ORDER FOR 1 5 % DISCOUNT. LINK TO NIK

New Workshop Schedule – Update for March 2010

Just updated the workshop schedule for March 2010 – includes Mastering Social Media and Networking for Photographers – a two parter!

Click on the WORKSHOPS tab at the top of this page for more info.



HDR Tips and Tricks, Part One

HDR Tips and Tricks, Part One

Guest Author, Gavin Phillips


High Dynamic Range Photography (HDR) is a creative technique in which you combine 3-5-7 images shot at different exposures, which are then merged into a single image. The advantages are far more detail, vibrant color and control of lighting than you could ever achieve by manipulating a single JPG or RAW image in Photoshop.

 

church

 

Taking an HDR image

 

You need at least 3-shots to create an HDR image.  With three shots you would have 1 shot regularly exposed, 1-shot  2-stops overexposed and 1- shot  2 stops underexposed. Most point and shoot cameras allow you to change exposure settings. Advanced point and shoots and DSLR’s have a bracketing mode. This makes it easier to take sets of HDR images.

 

Bracketing

 

With bracketing, you can set-up sets of shots to be taken at different exposure levels automatically. Once set-up,  all  you do is hold down the ‘fire’ button and it will automatically run through the 3-5-7 shots at the exposure levels you set-up.

 

For most of your HDR, you will require a tripod to eliminate any camera movement between the shots.


You can take HDR sets handheld, but you must be leaning against a railing or wall in order to keep the camera perfectly still during the shots.

 

fountain 

 

JPG or RAW?

 

You can work with JPG or RAW images. It’s preferable to shoot RAW if your camera supports that format. Shooting in RAW gives you more editing flexibility. And Photoshop’s Camera RAW filter is constantly being updated to support different cameras manufacturers RAW settings.  

 

Merging your images with Photomatix

 

Although Photoshop does have a ‘merge to hdr’ feature, there is a better way to go for the merging and tone-mapping of your HDR sets. Photomatix is the program I use to merge my sets of HDR. It is easy and intuitive to use, and gives you great control over your image. All the images in this article were processed with Photomatix.  It is also available as a free trial download, so you can try before you buy. 

 

Photographing people with HDR

 

You can photograph people with HDR selectively.  This expands the ways in which you can utilize the benefits of HDR. For weddings, I take some HDR at the church. This captures the occasion in a way I could never achieve otherwise.

 

vows

 

 

Avoiding oversaturation or surreal HDR

 

It’s important to remember that you have complete control over your image.  It is easy to stay within a regular color range but still gain a significant advantage by using HDR. You have to watch you do not overdo it with skies in particular. I usually keep the saturation slider in Photomatix  between 50-60.

 

The same is true for the overly processed ‘look’ that I often see on Flickr. There is a place for going in a different direction creatively with certain images. But you do not want all your images processed this way. On the other hand,  you do not want to be so conservative with your HDR that it looks virtually the same as a regular image. 

 

fish

 

Creative Freedom

 

There are no limits on your creativity. I use a full range of Photoshop adjustment layers, filters, masking and plugins to go in many different directions with certain photographs.  We have so many amazing creative tools to work with today; I’m not going to limit myself to staying within a regular photograph all the time.  As the late famous photographer Fred Picker stated, ‘Photographers owe nothing to reality.’

 

I offer my clients both types of images. This increase sales and gives them more creative and marketing ideas. It also allows you to sell these unique images at art fairs and online.

 

                                    

 

 

Gavin Phillips is a nationally-recognized author and educator in the field of High Dynamic Range Photography. Some important links for more info:

 

Webinars for HDR:

http://www.photoeffects.biz/hdrtrain.html

 

Photoeffects:

 

Photoshop ‘actions’/movies 7-sets
http://www.photoeffects.biz/colors.html

Lightroom Presets 2-sets,
http://www.photoeffects.biz/bwpreset.html

My readers and subscribers are qualified for a 10% discount. Use the coupon code SAFFIR.

I have upcoming Fine Art Printing and Fine Art Reproduction seminars in Arizona, Colorado, and New Mexico. These one-day intensive sessions start at the beginning of October 09. For more information, go here.