New Solutions From ARTtrust: Preventing Fraudulent and Unauthorized Use of Fine Art Photography and Artwork

Modern scanning, editing, and printing technology has made it easier than ever to copy an image or piece of art and reproduce it – speaking from personal experience, it can be quite difficult to know which is the original, and which is the copy!

And, of course, we’ve all heard reports and stories about unauthorized use, copying, and outright fraud involving a photographer’s or artist’s work.

The immediate impact is straightforward: money-out-of-your-pocket theft.

But what about the loss of credibility for the artist/photographer – and the reduction in value of a limited edition? Uncertainty about the provenance or number of pieces in the market quickly erodes the value of work already sold – and of course, work that is still on the market.

A company called ARTtrust has created a new, unique solution for these problems – one that helps users to identify and verify authorized work, discourages theft, prevents unauthorized copying, stops “limited” edition over-runs, and more.  ARTtrust makes it possible to provide a unique identity to each print in an edition or to each unique work, whether lithography, serigraphy, design, sculpture, etc.

ARTtrust is an identification and verification system that can be used by individuals, galleries, curators, collectors, museums, and others – the ARTtrust system is easy to understand and implement, and is as nearly perfect a security solution for art and phtography as exists today. ARTtrust provides for control by the artist, owner, authorized organization, or delegated curator or printmaker. Founder and CEO Philippe Serenon likes to say that “ARTtrust is simple, precise, secure, accessible, and authentic”. ARTtrust’s international partners include HP, Innova, Canson, Hahnemuhle, and others.

The ARTtrust system includes:

– A set of three unique identification tags, provided in a set, that cannot be duplicated. One tag is affixed to the artwork or print, another to the Certificate of Authenticity, and the third to the owner’s or printmaker’s file copy or BAT. (more on this later). The tags cannot be removed intact – any tampering destroys the tag. Each set of tags in unique to the individual piece of art.
ARTtrust Bubble Tags

– Each item that is tagged is registered via the ARTtrust online system. A digital image is uploaded, and the unique identification tags are linked to this image. The record can be accessed online by authorized users or a potential customer, providing quick and accurate validation of the item.

– The owner, authorized user, or delegate of the artist can print a pre-formatted Certificate of Authenticity (COA) to accompany the work. The tag on the art work or photograph can be matched to the tag on the COA via the ARTtrust database. Another certificate can be printed for use as a file or reference copy – this carries the third tag.

The technology at the core of the ARTtrust system is the Bubble Tag. This is a 3-D polymer tag which has a one-of-a-kind pattern of bubbles embedded in it. Each Bubble Tag is as unique as a fingerprint, virtually impossible to duplicate. (ARTtrust freely admits that they can’t do it – and they believe no one else can, either.)

The Bubble Tag Compared to Online Record

ARTtrust also provides an on-line gallery for its customers – whether they are individuals or organizations. The gallery includes a digital image, the serial number of the ARTtrust tag assigned to the work, and an image that can be compared to the ARTtrust tag.

An ARTtrust Image Gallery

If you click on one of the images, you’ll see this:

Image with identifying Bubble Tag

Anyone who is interested in buying or exhibiting a print can visit the ARTtrust website, find the online record*, view the bubble tag for verification (compare the tag image on screen to the tag on the artwork – and match the ID numbers), and review additional details about the print, such as availability and pricing.  (*One can enter the serial number on a tag, and easily retrieve the record of the work connected with that tag.)

Interestingly, there is also an iPhone application which can read an ARTtrust tag and provide verification on the spot! You can download the iPhone app on the iTunes App Store – just search for i-ARTtrust.

Here’s a link to the ARTtrust web site – the front page is shown below.

ARTtrust Web Site

Now photographers and artists, individuals and organizations have an independent, secure resource that helps them control and market their work, preserve value, prevent fraud and theft – and it is accessible online almost anywhere in the world.

____________________

Disclosure: I have in the past acted as a consultant and beta tester to ARTtrust and some of its business partners. I received no compensation for writing this blog post.

Boston, Galleries, and Partnerships

In Boston yesterday and today for discussions about partnerships in a number of areas. More exciting, starting to move forward toward representation from one or more galleries here in the Northeast, and the the Southern US for my work in scenics and images from the natural world. We’ll see how it goes!

Offshore Breeze, San Simeon Sunset

Offshore Breeze, San Simeon Sunset

Upcoming Seminar: Fotoweek, Nov 9, 2009, Taking Your Photography and Business To The Next Level

Tools of the Trade:  Taking your Photography & Business to the Next Level, Sponsored by HP and MEI Computer

Monday, November 9th at VisArts (Rockville Town Center) 155 Gibbs Street, Suite 300, Rockville, MD 20850

9:00-10:30 – Studio Planning & Set-up, Physical Environment and Ergonomics, Lighting, Display/Monitor Selection.Discover the latest software and hardware the pros use to manage workflow and achieve consistent results. 

10:30-12:00 – Getting the Most Out of Your Inkjet Printer. Camera to printer workflow:  selecting a printer, accurate color previews, printing from image editing software.Media selection. Printer troubleshooting, print correction, archiving. 

12:00-1:00 – Lunch With featured printing demonstrations.

1:00-2:30 – Fine Art Printmaking plus Fine Art Reproduction.  Create Fine Art and Decor Prints for other photographers and galleries.  Learn price points, media types, how to work with galleries and organizations.Fine Art Reproduction, tools for Fine Art Reproduction 

2:30-3:30 – Succeeding in Print Competition  Avenues for Success: Choosing a competition, understanding print comp terms and conditions,  Selecting images, printing, what the judges want to see, and more. 

3:45pm-4:30PM Fine Art Media for Limited Editions. Matching Media and Client Needs, Media Types for Social Photography Commercial/Fine Art/Other Purposes   

4:30-Finish: Q&A & Printing. Participants are encouraged to bring a high resolution digital file to print.

For more information and registration please visit MEI Computer’s web sign up page.

Home At Last

Back home after four weeks of traveling. Been to Arizona, New Mexico, Colorado, New York, and now back to California. I feel very lucky to have met so many interesting and talented photographers, artists, business people, curators and archivists, and others. The Tour 09 events hosted by a range of manufacturers (Canon, HP, Epson, Mamiya, and X-Rite, among others) and Digital2You taught many lessons, which I’ll share soon.

Pro Photo East was a bit smaller in scope than last year – but I’m sure that the number of photographers I talked with during various activities increased – and the intensity of interest in digital imaging and new developments has not diminished in the least. The HP exhibit was absolutely packed on every day – breaks were few and far between. I particularly enjoyed the evening session on Friday, where we heard presentations from photographers Joel Meyerowitz and Thomas Hoepker, and Eileen Gittens, president and CEO of Blurb.

Lot of new developments seen and experienced, and I will be posting info about these in the coming week. Some of the things in the hopper include print finishing, canvas mounting, new cameras, imaging software, a cool new printing rip, latex-based printers, medium format imaging, raw processing, and color management.

Last night our plane sat on the runway for almost four hours, waiting for a break in a very intense rainstorm.  I was quite glad to touch down at the LA airport later that night, however late, and return to Santa Clarita.

More to follow!

New Blog Announcement: Focus 09 – Digital Fine Art Printing and Art Reproduction Seminars

New Blog Announcement

 

Focus 09: Digital Fine Art Printing and Art Reproduction Seminars

Focus 09: Digital Fine Art Printing and Art Reproduction Seminars

Instructor: David Saffir

In October 2009, we begin a new tour and seminar series: Fine Art Printing and Photographic Reproduction. This series provides an in-depth review of the subject from several viewpoints: first, for photographers wishing to make fine art prints, and second, for curators, galleries, and other organiztions in dealing with artists and their work in the context of creating open- and limited reproduction editions of their artwork. Third, for artists who wish to expand their marketing efforts and created editions of their work for exhibition and sale.

Beginning October 2, 2009, and continuing through October 20th, the Tour covers seven cities in three states (Arizona, Colorado, and New Mexico).

Designed for photographers, artists, galleries, printmakers, students, and organizations this series provides a number of learning experiences:        read more.

Selected Comments and Responses

I get a number of comments each month that ask great questions – so I thought that once or twice a month I would post the question, and a brief reply, so that we could all read them without scrolling until our fingers get blisters :)

Here’s a couple, more to follow: (I have edited to keep things space requirements manageable). The first theme this month is art, and art reproduction:

Q1:

(I have been told that there is ) software that will fix the single sheet feed problems on the Designjet Z3100-I would like to know how I can obtain this software.

Answer:

I believe the sheet-feeding issues can be solved through a firmware upgrade. It has been about a year since I looked at this issue, and I know that HP moves resources on its web site from time to time- so the best thing to do is to go to the main HP Graphics portal, and search for z3100 and a combination of parameters such as sheet feeding, firmware update, and the like. You can also contact Jack directly through his web site at duganne.com.

 PS – depending on the size of the sheet – if the sheet edges are not ‘square’, you’ll have issues. It you can trim the sheet to 90 degrees on each angle, many of your issues will be addressed.

Q2

In the capture process, do you use a black surround to envelope the artwork and then direct the two lights at 45 degree angle from both sides into the inside of the surround toward the artwork? Do you use polarizing filters over the lights as well as on the lens? I have not used the surround yet but other photographers have said that I should. Maybe that’s why not all my colors are perfectly reproduced.

 Answer:

In capture, I usually use a dark neutral grey, or black surround. Color bounce is a big, big, headache. The angle of the lights depends on the reflectivity of the artwork. W/ the HP Artist software, one can light the artwork from one side only. I do not normally use polarizers; however, I do not hesitate to use additional lights and change the arrangement to use a shallower angle, lighting for fill and to kill reflections, etc. Hope this helps.

PS – remember to protect the lens using flags or other barriers – lighting that spills directly past the lens shade will help kill color and contrast.

Second Image, Colombia River Gorge

Series of Waterfalls, Near Shepherd's Dell

Series of Waterfalls, Near Shepherd's Dell

New Info: Archival Prints, plus Defining Fine Art Photography

Tom Hubbard, editor of the Portland Metro Photographic News, author of numerous articles, and photographer, has recently published two articles that are worth a careful read. 

What “Archival Photographic Print” Really Means, offers a fresh look at this subject:

From the first part of the article (quoted from an interview with Harald Johnson): “”Archival photographic print” is hard to pin down. Why? Because there’s no uniformly accepted definition of what is “archival” and what is not. In fact, the word “archival” just means something that is in an archive, being stored, not necessarily monitored or preserved.”  Tom goes on the provide one of the best reviews, and suggestions, I’ve seen in quite a while.

The other, part of an ongoing series, When Is A Photograph Fine Art?, begins:  “Although nearly every… respondent agreed that art (let alone fine art photography) is subjective, nearly every professional forged on to provide insights that can contribute guidance and some direction when photographers evaluate their own bodies of photographic work.  After reading scores of replies, there are commonly-held views on what determines when a photograph reaches the level of fine art.”

While you are on his site, I strongly suggest that you take a look at his other articles. Tom is an experienced, thoughtful commentator and author.

New Fine Art Printmaking and Art Reproduction Tour

FINE ART PRINTMAKING & ART REPRODUCTION SEMINARS, DAVID SAFFIR, OTHER INSTRUCTORS

7 CITY TOUR IN OCTOBER 2009, APPROX DATES OCT 1-15

This will include:

  • studio setup
  • lighting
  • digital capture
  • capture and digital asset management
  • image editing
  • color management
  • printing
  • print finishing

…..and more!

 Call for details and registration,  303-934-2777 or go http://tinyurl.com/nbupma

ALBUQUERQUE, SANTA FE, PHOENIX,  TUCSON, 
SEDONA, DENVER, GLENWOOD SPRINGS