Fine Art Scholarships – Bonny Lhotka / Digital Alchemy

Bonny Lhotka, creator of Digital Alchemy and some brilliant workshops on alternate printing processes, is offering a class on Vintage Tintype &
SuperSauce Transfers (link).

She’s also offering two scholarships ($625 each) for college students only, for the session on June 2 and 3rd. The attendee would have to pay the $75 materials fee.

Applications can be made to Bonny via email: BLhotka@digitalartstudioseminars.com. They should include a brief background/statement, link to their website, and at least 6 jpeg images of work
completed.

Here’s the link for the workshop: http://www.digitalalchemybook.com/Digital_Alchemy_Book/Workshops.html

Part Two, Fine Art Paper From Parrot Digigraphic

I’ve had the opportunity lately to work with a number of inkjet printing papers offered by Parrot Digigraphic. There’s quite a range of media to choose from, so for this post I decided to focus on a fine art paper that I particularly like, and that seems to fill an relatively unoccupied niche – Angelica Natural White Textured, 315gsm.

I say it is in a niche not because its application is narrow, but because it combines a very nice hand with subdued but effective texture. Its natural white color is very pleasing, lending a slight warm tone to unlinked areas of the print. As a point of comparison, I feel it falls in between Hahnemuhle Photo Rag, and Hahnemuhle textured fine art style paper – and quality is more than comparable.

The Old House © David Saffir

This is a finely-made watercolor-style inkjet paper intended for use with pigment and dye-based inks. I have found that when using pigment inks its rendered color gamut is very good, and black and white images show smooth gradations, strong blacks, and detailed highlights. Dimensionality and “presence” are excellent. It is available in both roll and sheet packaging.

I profiled this paper on my HP Designjet Z3200 using the built-in spectrophotomer and HP color management software. I’ve found the paper interacts well with the color management tools and the printers – and these paper profiles are stable and accurate.

As with many other papers, there may be room for improvement in this in-printer profile, through using the HP Advanced Profiling System, which generates test targets with a greater number of test patches. However, prints made using current profile are quite good, and I don’t see any issues across the color gamut, or in highlight/shadow detail.

Parrot also offers excellent in-house paper profiles for use with a number of inkjet printing systems.

The paper takes ink quite well, with no sign of cockling or other distortions. It handles well off the roll, which is always a bit of a challenge for fine art/watercolor style papers.

As with all non-photo-style papers, I recommend that users turn off the auto-cutter, as this may generate dust inside the printer. Instead, it is best to cut the paper outside the machine.

Overall, I like this paper for photographic use. I have not yet tried it for fine art reproduction. Parrot’s price point is very competitive – the combination of price and the paper’s performance makes this an option well worth consideration for your media lineup.

Parrot Digigraphic

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New Solutions From ARTtrust: Preventing Fraudulent and Unauthorized Use of Fine Art Photography and Artwork

Modern scanning, editing, and printing technology has made it easier than ever to copy an image or piece of art and reproduce it – speaking from personal experience, it can be quite difficult to know which is the original, and which is the copy!

And, of course, we’ve all heard reports and stories about unauthorized use, copying, and outright fraud involving a photographer’s or artist’s work.

The immediate impact is straightforward: money-out-of-your-pocket theft.

But what about the loss of credibility for the artist/photographer – and the reduction in value of a limited edition? Uncertainty about the provenance or number of pieces in the market quickly erodes the value of work already sold – and of course, work that is still on the market.

A company called ARTtrust has created a new, unique solution for these problems – one that helps users to identify and verify authorized work, discourages theft, prevents unauthorized copying, stops “limited” edition over-runs, and more.  ARTtrust makes it possible to provide a unique identity to each print in an edition or to each unique work, whether lithography, serigraphy, design, sculpture, etc.

ARTtrust is an identification and verification system that can be used by individuals, galleries, curators, collectors, museums, and others – the ARTtrust system is easy to understand and implement, and is as nearly perfect a security solution for art and phtography as exists today. ARTtrust provides for control by the artist, owner, authorized organization, or delegated curator or printmaker. Founder and CEO Philippe Serenon likes to say that “ARTtrust is simple, precise, secure, accessible, and authentic”. ARTtrust’s international partners include HP, Innova, Canson, Hahnemuhle, and others.

The ARTtrust system includes:

- A set of three unique identification tags, provided in a set, that cannot be duplicated. One tag is affixed to the artwork or print, another to the Certificate of Authenticity, and the third to the owner’s or printmaker’s file copy or BAT. (more on this later). The tags cannot be removed intact – any tampering destroys the tag. Each set of tags in unique to the individual piece of art.
ARTtrust Bubble Tags

- Each item that is tagged is registered via the ARTtrust online system. A digital image is uploaded, and the unique identification tags are linked to this image. The record can be accessed online by authorized users or a potential customer, providing quick and accurate validation of the item.

- The owner, authorized user, or delegate of the artist can print a pre-formatted Certificate of Authenticity (COA) to accompany the work. The tag on the art work or photograph can be matched to the tag on the COA via the ARTtrust database. Another certificate can be printed for use as a file or reference copy – this carries the third tag.

The technology at the core of the ARTtrust system is the Bubble Tag. This is a 3-D polymer tag which has a one-of-a-kind pattern of bubbles embedded in it. Each Bubble Tag is as unique as a fingerprint, virtually impossible to duplicate. (ARTtrust freely admits that they can’t do it – and they believe no one else can, either.)

The Bubble Tag Compared to Online Record

ARTtrust also provides an on-line gallery for its customers – whether they are individuals or organizations. The gallery includes a digital image, the serial number of the ARTtrust tag assigned to the work, and an image that can be compared to the ARTtrust tag.

An ARTtrust Image Gallery

If you click on one of the images, you’ll see this:

Image with identifying Bubble Tag

Anyone who is interested in buying or exhibiting a print can visit the ARTtrust website, find the online record*, view the bubble tag for verification (compare the tag image on screen to the tag on the artwork – and match the ID numbers), and review additional details about the print, such as availability and pricing.  (*One can enter the serial number on a tag, and easily retrieve the record of the work connected with that tag.)

Interestingly, there is also an iPhone application which can read an ARTtrust tag and provide verification on the spot! You can download the iPhone app on the iTunes App Store – just search for i-ARTtrust.

Here’s a link to the ARTtrust web site – the front page is shown below.

ARTtrust Web Site

Now photographers and artists, individuals and organizations have an independent, secure resource that helps them control and market their work, preserve value, prevent fraud and theft – and it is accessible online almost anywhere in the world.

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Disclosure: I have in the past acted as a consultant and beta tester to ARTtrust and some of its business partners. I received no compensation for writing this blog post.

Black and White Prints from Color Images by David Saffir

By David Saffir via the Pro Photo Blog:

Many of us love black-and-white prints for their simplicity and how they can increase focus on a subject or feeling. Here are a few tips to consider when making black-and-white prints from color digital images. Capture your image in color (full text via this link).

Convert Color to Black and White

Photography Quote of the Day, March 31, 2010

“The voyage of discovery lies not in finding new landscapes but in finding new eyes.”- Marcel Proust

“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place…. I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt

for more info on our upcoming Black and White workshop, follow this link

Mastering Black and White Printing Workshop April 10

Reminder! Mastering Black and White Printing Workshop
David Saffir instructor

Take your fine art printing skills to a new level! Join us for a workshop focused  on creating and printing Black & White images. You’ll learn how to manage your color,
and really dig into your Black and White techniques so your  images sparkle!

Topics include:

Manage digital capture (in color) with black and white printing in mind

The process used in Photoshop to convert digitally captured color images to black & white, and custom edit as needed.

Learn in detail the use of Photoshop filters, presets, and adjustment layers. Customize tonal values, image density, highlight and shadow details, etc. Demonstrate using three examples: still life, landscape, and portrait images.

Understand using color management system to ensure color control, neutrality in black & white printing, and consistent print quality.

Evaluate edited images on screen (soft proofing using custom ICC profiles) for final output. Use custom adjustments and print variations facilitated by accurate soft proofing.

Understand the complete process needed to make fine art prints from a correctly prepared image file. This includes methods for creating proof prints that facilitate successful final prints, the use of paper/printer profiles, and using the Photoshop printer dialog and the printer driver.

Create prints and evaluate. Learn troubleshooting and problem solving techniques.

Learn methods of print finishing and coatings for photographic style, fine art, and canvas media.

Bring a file or two – we’ll be making sample prints from selected student’s images on our wide-format printer.

black and white image of antique railroad hand truck © d saffir

Hand Truck, Old Saugus Railroad Station

Cost is $109 for students who pre-register.

Call (661)904-2092 to register (preferred) or:
Click here to register online for a workshop.

Mastering Social Media Networking for Photographers workshop this Wednesday

Mastering Social Media Networking for Photographers workshop this Wednesday

(this includes Artists, too!) Set up web pages, blogs, Facebook, Twitter, LinkedIn, others!

for details follow this!

Tracking Ownership of Fine Art Prints and Preventing Fraudulent Copies

Earlier this year I wrote about Certificates of Authenticity, and how they add value to fine art prints. There is an additional tool available, called the ARTtrust solution that can help track and verify the authenticity and ownership of each print.

Read more in my article on the HP Pro Photo Blog.